To make the best use of the different types of selection, remember the following simple rule: a note, or a bit of text) is selected multiple selection, where more than one object is selected, and they appear highlighted in the score in their voice or selection colour passage selection, where a continuous range of music and other objects attached to one or more staves is selected, and surrounded by a light blue box and system passage selection, where a continuous range of music and other objects across all staves in the system is selected, and surrounded by a double purple box. Those four types are as follows: single selection, where only one object (e.g. 8.Three of the four types of selection: multiple, passage, and system passageĪ couple of days ago, I wrote that one of the axioms of efficient use of Sibelius is: “Copy, don’t reinput.” With that in mind, I thought it was worth reinforcing one of the corollaries of that axiom, concerning the four types of selection in Sibelius. Once you are comfortable with the above techniques, it's easy to put together quite complex choral layouts very quickly. You can then choose which elements (clefs, brackets, etc.) appear after the gap in the Bars panel of the Properties window (select the barline at the end of the bar after the gap and type Command-I (Mac) or Alt+Enter (Windows) in Sibelius 1.x). To make this gap, select the barline after which the gap should occur and choose Layout > Break > Split System (or Layout > Divide System in Sibelius 1.x). Usually, the versicle and response are separated by a gap, with a new initial barline and restatement of the clef after the gap. See Staves in your User Guide for more details on staff type changes. Sibelius 7 and later: select bar(s) that you want to hide, then go to Home> Change > Instrument Change > Unnamed (4 lines) to make them reappear where the response begins. Sibelius 4 and below: use Create > Staff Type Change > Pitched > No lines (hidden) then use Create > Staff Type Change > Pitched > 5 lines to make them reappear where the response begins. See Instruments in your User Guide for more details on instrument changes. If the bar you wish to hide is at the start of a system, it will be necessary to create the instrument change at the end of the previous system, otherwise, the bracket, key signature, and time signature will remain visible. Adjust the positioning as necessary, and use Home > Edit > Hide or Show > Hide to hide any superfluous instrument names. Sibelius 7 and later: select bar(s) that you want to hide, then go to Home> Change > Instrument Change > All Instruments/Others/No instrument (hidden), making sure to deselect Announce at last note of previous instrument. Adjust the positioning as necessary, and use Edit > Hide or Show > Hide to hide any superfluous instrument names. Sibelius 5 to 6: select bar(s) that you want to hide, then go to Create > Other > Instrument Change > All Instruments/Others/No instrument (hidden), making sure to deselect Announce at last note of previous instrument. ![]() S, A, and B) using an Instrument Change (Sibelius 5 and later) or a Staff Type Change (Sibelius 4 and earlier): ![]() Usually, the versicles are notated on the tenor or bass staff, depending on the pitch and/or clef required. See Bars and bar rests in your User Guide for more details. Bar > Other (for Sibelius 1 to 6) Home > Bars > Add Bars > Add Multiple or Irregular bars (for Sibelius 1 and later) to do this.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |